Ymode DX vol.56 上田ミルキィ

　　1976年，一名会计师因莫须有的罪名，将面临不公正的刑事判罚，他决心一斗到底。西班牙导演阿尔韦托·罗德里格斯（《千面人》）阔别6年重回大银幕的新作，根据真实事件创作，于现已关闭的巴塞罗那莫德罗监狱内实景拍摄，回溯1976年弗朗哥去世后的西班牙民主过渡期。影片巧用突然惊吓营造惊悚气氛，反映狱警对犯人的多种惨无人道的摧残；藉由民愤轮番上演花式越狱，点燃普通人的求生之火，强烈抨击国家法律体系的不公。荣获2023年西班牙戈雅奖16项提名，最终揽获最佳美术指导等5项技术大奖。

在9月29日结束为期八周的有限活动后，《香蕉骑行》据说向罗斯展示了不同的一面，这是一场结合了喜剧、自传体故事和音乐元素的更个人化、更发自内心的表演。这部剧是关于庆祝生活、纪念损失和为生活中的意外事件做好准备。

全片AIGC全程创制，以新国风 AI 视觉重构封神经典。影片讲述了冀州侯之女苏小妹被迫入宫和亲，却在途中遭九尾狐妖夺舍，从此与狐妖共用一具身体、形成“一体双魂”的宿命纠缠。白日里，苏小妹尚能短暂清醒，试图阻止狐妖祸乱朝纲；入夜后，狐妖则借妲己之身迷惑纣王，挑动酷刑、陷害忠良，一步步将大商推向崩塌。随着姜皇后、比干、苏全忠等人相继卷入这场人妖共体的阴谋，苏小妹在亲情、国仇与自我牺牲之间被迫抉择，而一心求仙的狐妖也在与纣王的纠缠中逐渐动摇。当天命、情爱与罪孽交织，真正的妲己究竟是谁？商朝的覆灭，是妖狐的算计，还是命运早已注定的结局？    

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.