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触电2025
林敏骢,陈颖欣,柯炜林,伍咏薇,苏皓儿,罗莽,冯素波,卢慧敏,陈毅燊,陈苡臻,吴肇轩,罗浩铭匹配
土屋太凤,佐久间大介,金子统昭,真飞圣,后藤刚范,片山萌美,片冈礼子,杉本哲太,齐藤由贵阿勒泰之歌
阿依波塔·杰恩斯,银珠·木拿里别克,海拉提·哈木,张大磊,张雅玫,达列力汗·哈德尔,阿来·阿依达尔汗,叶尔那尔·俄合拉斯别克,阿力木江·吐尔斯拜克,丽娜·夏侃,阿依江·赛力克,达布力·黑巴提,库力加孜拉·比亚地盖尔:黄砖路
Chloë Crump,Hassan Taj,Laura Kay Bailey无法饶恕的爱
萨拉·克利夫兰,Matt Wells午夜的柳枝
梅根·福克斯,机关枪凯利,埃米尔·赫斯基,布鲁斯·威利斯,卢卡斯·哈斯,凯特琳·卡迈克尔,奥利弗·伊莉丝·阿伯克隆比,丽迪雅·赫尔,杰基·克鲁兹,泰勒·乔恩·奥尔森,斯温·特梅尔,希斯蒂妮·史泰龙,迈克尔·比奇,多诺万·W·卡特,奥马尔·克鲁兹·索托,大卫·希尔,让·皮埃尔·普拉茨,小戴维·M·桑多瓦尔,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri同类精选
影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
遁入虚无
内森奈尔·布朗,帕兹·德拉维尔塔,Cyril Roy,Olly Alexander,Masato Tanno,Ed Spear,Emily Alyn Lind,Jesse Kuhn,Nobu Imai一场车祸夺去了父母的性命,年幼的奥斯卡和妹妹琳达发誓永不分开。成年后,奥斯卡(Nathaniel Brown 饰)漂泊来至东京,为了实现童年的誓言,他以兜售毒品赚取钱财,终于为琳达(Paz de la Huerta 饰)挣得了飞来东京的机票。兄妹相遇,却终是随波逐流的个体。在这个繁花乱坠迷人眼的大都会,奥斯卡继续进行毒品交易,而琳达则在一家夜总会大跳艳舞。在一次交易时,奥斯卡遭到警察围捕,混乱中更被枪击身亡。他的意识渐渐脱离肉体,穿梭在东京的大街小巷,关注跟随每一个在他生命中留下痕迹的人,等待着下一场不知何时才会开始的轮回…… 本片荣获2009年Sitges – Catalonian国际电影节最佳摄影奖和评委会特别奖。
我是山姆
西恩·潘,达科塔·范宁,米歇尔·菲佛,黛安·韦斯特,洛雷塔·迪瓦恩,理查德·希夫,劳拉·邓恩在星巴克工作的山姆(西恩•潘 Sean Penn 饰),虽已成人,但智力水平只有7岁。一次偶然,他收留了一个流浪女。该女子帮山姆生下了一个女儿后消失得无影无踪。他给女儿取名叫露西(达科塔•范宁 Dakota Fanning 饰),因为他最喜欢甲壳虫乐队的《天空中戴钻石 的露西》。他非常疼爱自己的孩子。露西在山姆的细心呵护下慢慢地长大了,她发现爸爸不能看懂稍微复杂一些的故事。她在拒绝长大,希望和爸爸一样。父女俩的生活是那么幸福。地区的教育官员发现了这个特殊的家庭,他们认为山姆没有能力照顾露西,于是把露西带走了。伤心极了的山姆一心要挣回露西的抚养权,于是他自以为是的去找该地区最好的律师……
佐藤妻夫物语
岸井雪乃,宫泽冰鱼,藤原樱,三浦獠太,田村健太郎,前原滉,山本浩司,八木亚希子,中岛步,佐佐木希,田岛令子,柳原晴郎佐藤保和佐藤幸性格截然不同却莫名投缘,一路从相识交往走到结婚生子。保曾多次参加司法考试却屡屡落榜,没想到陪他备考的幸却先通过了考试,成为了职业律师。一边是邋遢的律师妻子,一边是被育儿压得喘不过气的落榜丈夫——这对夫妻之间维持着微妙的平衡,在欢笑与心酸中勾勒出一段真实的爱情故事。本片主演为凭借《惠子,凝视》获得第77届每日电影最佳女主角的岸井雪乃,以及凭借《利己主义者》获得第78届每日电影最佳男配角的宫泽冰鱼。两人的默契演绎为影片注入真实的情感张力,折射出现代社会中人与人之间的沟通困境,探讨了人们与“他人”之间的理解与妥协。