善良的岳父，接受儿媳的性欲

边境战争2

1971年印巴战争期间，年轻的印度战士准备保护自己的家园免受更大的威胁。

远古狂蟒

在墨西哥的丛林深处的神庙，考古学家们发现了一种古老的蛇崇拜文化，同时他们不小心释放了一条沉睡了几个世纪的巨大而可怕的蟒蛇。

芭比之皇室摇滚

 夏日的皇家训练营即将开始了，侯特妮公主来到了集中点。可是，即使到了开船时间，侯特妮依然没有听到自己的名字，这究竟是怎么了？这时，侯特妮突然听到了自己的名字，不过却是摇滚训练营……

红石滩阻击战

1945年在广西黔江红石滩上，曾发生过一场以少胜多、以弱胜强的战役，面对300多名的日军精锐，广西义勇军凭借红石滩天险设下“死亡陷阱”激战15小时，击毙120多名日军，狠狠地打击了日寇，极大鼓舞了当地民众的抗日斗志。

致我的青春

鬼屋直播

　　一群直播团队挑战进入一座闹鬼的老宅，很快发现，眼前的恐怖竟比他们预料的还要真实可怕。随着一波又一波的惊悚事件，他们必须在恐惧中挣扎前行，力图在这座死亡之屋中活到天亮。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.