脱衣舞娘大战狼人
《猛鬼街》的标志性人物Robert Englund将在他首部英国电影《脱衣舞娘大战狼人》Strippers vs. Werewolves中上演处女秀。好莱坞传奇人物Robert Englund 将在他的首部英国喜剧恐怖电影《脱衣舞娘大战狼人》中扮演一个阴险狡诈的狼人领袖，该片在5月16日星期一于伦敦附近开拍艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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马克·沃尔伯格,保罗·沃尔特·豪泽,萨莎·拜伦·科恩,本杰明·布拉特,卢西亚诺·萨法尔,艾娃·德·多米尼奇,丹妮拉·曼希沃,莫莉·香侬,切尔茜·克里斯普,埃里克·安德烈,杰克森·托泽尔,亨利埃塔·阿梅沃尔,阿贝·法雷利,瑞恩·谢尔顿,娜塔丽·奥利维拉,提亚戈·莫拉斯,斯隆·费希尔,詹尼·德古拉,朱丽安娜·卡斯特罗,伊恩·阿达姆森营销高管布拉德与伊莱贾，为拿下世界杯顶级赞助，提出了一个大胆到离谱的避孕套品牌合作提案。本以为能一战成名，却因一场酒后失控的丑闻，彻底沦为全民公敌。为了保住性命、全身而退，两人被迫开启横跨全球的疯狂逃亡，在体育营销界的乱象中，用更疯狂的操作，躲过接踵而至的麻烦与追杀。
还魂之迷失曼谷
范逸臣,李昕芸,李媛,雪村林美嘉（李昕芸 饰）、安晓晨（李媛 饰）和陈宇林（范逸臣 饰）大学时代便认识的好友，晓晨与宇林更是亲密的情侣。毕业后这对闺蜜共同进入一家服装设计公司，在残酷的职场中果敢自信的晓晨扶摇直上，很快成为一支团队的负责人，这让美嘉心中难免有所芥蒂。某次二人受公司指派去泰国寻找素材，希望转运的美嘉坚持要去某个偏僻所在向法师求佛牌。此后，两人在泰国遭遇离奇火灾，晓晨命丧异国他乡，美嘉则侥幸逃生，但失去了泰国之行的所有记忆。身为心理医生的宇林固然伤心，同时希望通过自己的专业技能帮助美嘉走出阴影。 可是这番治疗丝毫没有效果，美嘉被恐怖的幻觉所困扰，情况愈演愈烈……
远足惊魂
塔梅尔·哈桑,芭芭拉·尼德尔加科娃,本·洛伊德·霍尔姆斯,Zara Phythian,Daniel Caren讲述一个从阿富汗的退役的女兵凯特组织了一群年轻美貌的少女到英国乡村业林里探险活动……
国王理查德
威尔·史密斯,黛米·辛格顿,萨尼雅·西德尼,安洁纽·艾莉丝-泰勒,乔·博恩瑟,托尼·戈德温,米凯拉·拉沙·巴塞洛缪,达尼埃莱·劳森,莱拉·克劳福德,埃里卡·林格,诺亚·比恩,克雷格·泰特,乔赛亚·克罗斯 ,小卡尔文·克劳塞尔,沃恩·W·希伯伦,小吉米·沃克,凯文·杜恩,布拉德·格林奎斯特,布兰顿·莫拉莱斯,爱丽珂谢弗,安迪·比恩,朱迪思•查普曼,切特·格里索姆,乔纳森·贝莱,卡特里娜·贝恩,里奇·索莫,艾琳·库明斯,汤姆·德格南,弗吉尼亚·施奈德,瓦莱丽·戴维森,汉娜·巴尔福特,梅尔·法尔,玛丽·帕斯科,该片剧本排2018年好莱坞“剧本黑名单”第二，讲述理查德·威廉姆斯的真实故事，这位精明务实、不屈不挠、没有任何网球背景的父亲培养 出了两个网球天才，她们后来成了超级巨星——维纳斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。理查德·威廉姆斯为女儿们的职业网球生涯起草了一份78页的计划，女孩们在康普顿破旧、杂草丛生的公共球场上学会了这项运动。据报道，在那之前，她们的父亲与一些不喜欢这项运动、不肯让位的年轻硬汉发生了争执。威廉姆斯姐妹后来成为了网球史上最伟大的女选手之二。
夺命微笑2
娜奥米·斯科特,凯尔·加尔纳,德鲁·巴里摩尔,罗丝玛丽·德薇特,卢卡斯·盖奇,迪兰·格鲁拉,彼得·雅各布森,雷·尼科尔森,劳尔·卡斯提洛,达芙妮·泽利,迈尔斯·古铁雷斯-赖利,Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White一位女歌手在目睹其一位歌迷诡异自尽后，身边开始出现各种奇怪的微笑现象，其歌迷纷纷精神失常，开始疯狂地微笑，对女歌手穷追不舍。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.